Leashing
"Indeed, the leash, not uncommonly, can cause a woman to sexually blossom. This is presumably a function of such things as its actual restraint, which is quite real; its message to her that she is an animal, a slave; and its making clear to her, by a device, such as a bracelet, a brand or collar, what is the order of nature, who it is who controls her and who it is whom she must obey, who is the slave and who is the master. A leash, even apart from questions of training, of course, can have powerful emotional impact on a girl. It is a very useful way of convincing a girl that she is slave; similarly it can always serve as an effective reminder. Some girls do not seem to believe they are slaves until they have been leashed. But after that, and after having been put through "leash paces," there is seldom any doubt in their mind. Some girls beg to be leashed, sometimes crawling to their masters, their leash held between their small, fine teeth. Most masters use the leash at one time or another. A Gorean saying has it that a leashed slave is a hot slave."
Page 366 - Fighting Slave of Gor
Breast Bondage
"Her breasts, of course, do not escape notice in her bondage. They are as open and available to the master as any other part of her…..so sweet and soft, so delicious and marvelous, so wonderful and exciting, will, like the rest of her, without a second thought, be submitted to attentions appropriate to her status. For example, they may be lovingly handled, and kissed and caressed by the master however and as long as he pleases. Too, they might be emphasized and accentuated by various forms of garments and bindings. The tying of slave girdles, for example, and the arrangement of binding fiber, often has this subtle, delicious feature in mind. Too, of course, they may be confined, if one wishes, in open brassiers of cord, or netting,"
Mercenaries of Gor, pages 389 & 390
Bondage intensifies sexual pleasure
"What do you think he is doing to her?" she asked. "Mastering her," I said. "Do you think she is tied?" she asked. "Probably." I said She looked down, shuddering, blushing. The intensification of sexual pleasure, both physically and psychologically, by the application of selected restraints is well known."
Page 158 - Renegades of Gor
'For example, in this particular case, I suspected that her chaining might have been a factor. Restraining the female, sometimes symbolically, sometimes in fashions which are literally physically coercive, making her absolutely helpless, for various reasons psychological and physical, intensifies her orgasm.'
Renegades of Gor, pg. 28, by John Norman
Bondage for the amusement of men
"Sometimes the guards had bound her, with colorful cords, sometimes in exotic fashions, and had then ordered her to free herself, but she had been unable to do so. But how their eyes had glinted upon her, as she had twisted, and reared up, and fell back, and squirmed and writhed, in her unsuccessful attempts to elude her constraints! To see her so before them, bound so helplessly, so predictably and absurdly futile in her commanded struggles, had given them much pleasure."
p128 Prize of Gor
"In my training," she said, "the guards often bound me in pretty cords. This seemed to please them. I gather I looked well in them." To be sure, Ellen knew she was remarkably fetching in such constraints, particularly when nude. Had she not seen herself in the mirrors, when ordered to struggle in them, and had she not noted the reactions of the guards? "You will tie me in pretty cords, will you not, sometimes,
Master?" she wheedled. The sight of her helplessly bound in such cords, she hoped, might please him. Too, she, their helpless prisoner, had found them astonishingly arousing, as well.
Prize of Gor 980
But bonds, in general, are sexually arousing to a woman, as they speak to her of her vulnerability and helplessness, and of her subjection to the power of men. Simply leaving a woman alone, bound, perhaps for the time put out of one's mind, say, neglected or forgotten, is sexually charging for her. And there are hundreds of passion ties. The numerous psychological dimensions of sexuality, well understood by, and well exploited by, Gorean masters, enhance a thousand times the sexual experiences of their chattels.
P906 prize of gor
It was a simple arousal tie, the sort of tie which well reminds a woman she is a slave. To be sure, it was perhaps a bit more severe, or cruel, than was necessary, and scarcely one in which one would be likely to place a beloved slave. But we must remember that the feelings of Selius Arconious toward his recent purchase were rather ambivalent.
P906 prize of gor
She was then thrust down on the grass, on her stomach, and her legs were pulled up behind her, the ankles crossed. In a moment, her legs bent up closely behind her, her ankles were lashed together. He then bound her ankles to her wrists. In this way she was not only helpless even to try to rise, but any movements of her bound ankles would exert pressure on her bound wrists, which would, in turn, exert pressure on the leash strap, which was attached to her wrists. Thus, in short, the leash ran from the ring at the front of her neck, the ring on the hood straps, down, tightly between her breasts, tightly between her legs, and tightly up to her crossed, bound wrists. But her wrists were also attached to her crossed, bound ankles, and thus, with respect to her ankles, she was limited to two options, first, to try to keep her ankles close to her body, which was uncomfortable, and did nothing to relieve the warm, creasing, implacable stress of the leash between her legs, or, second, to try to move her ankles a bit away from her body, to relieve the pressure on her bent, aching legs, which, in turn, in virtue of the ankles' attachment to the wrists, would produce a further warm, stirring, arousing, sawing, excitatory motion of the leash. So, as she moved, or squirmed, or sought some comfort, or respite, for her bent, bound legs, held so closely to her body, the leash would move as well, tautly, effectively, doing more of its work.
P902 prize of gor
Chastity Belt:
"She also wore an iron belt. This belt consisted of two major pieces, one was a rounded, fitted, curved barlike waistband, flattened at the ends; one end of this band, that on the right, standing behind the woman and looking forward, had a heavy semicircular ring, or staple, welded onto it; the other flattened end of the waistband, looking forward, had a slot in it which fitted over the staple; the other major portion of this belt consisted of a curved band of flat, shaped iron; one end of this flat band was curved about, and closed about, the barlike waistband in the front; this produces a hinge; on the other end of this flat band of iron is a slot; it fits over the same staple as the slot in the flattened end of the left side of the barlike waistband. The belt is then put on the woman in this fashion. The waistband is closed about her, the left side, its slot penetrated by the staple, over the right side; the flat U-shaped band of iron, controured to female intimacies, is then swung up on its hinge, between her thighs, where the slot on its end is penetrated by the staple, this keeping the parts of the belt in place. The whole apparatus is then locked on her, the tongue of the padlock thrust through the staple, the lock then snapped shut."
Kajira of Gor, page 103
Northern Yoke:
"The Northern yoke is either of wood or bone, and is drilled in three places. The one Thistle wore was of wood. It was not heavy. It passed behind her neck at which point one of the drilled holes occurred. The other two holes occurred at the terminations of the yoke. A leather strap is knotted about the girl's wrist, passed through the drilled hole at one end of the yoke, usually that on her left, taken up through the hole behind the neck, looped twice about her neck, threaded back down the end, usually the one on her right, and tied about her right wrist. She is thus fastened to the yoke. From each end of the yoke hung a large sack."
Beasts of Gor, page 196
Symbols of bondage
'The slave cannot free herself. She can be freed only by an owner. The condition of slavery does not require the collar, or the brand, or an anklet, bracelet or ring, or any such overt sign of bondage. Such things, as symbolic as they are, as profoundly meaningful as they are, and as useful as they are for marking properties, identifying masters, and such, are not necessary to slavery. They are, in effect, though their affixing can legally effect imbondment, ultimately, in themselves, tokens of bondage, and are not to be confused with the reality itself. The uncollared slave is not then a free woman but only a slave who is not then in a collar. Similarly a slave is still a slave even if her brand could be made to magically disappear or, if she has been made a slave in some other way, if she has not yet been branded. Indeed, some masters, somewhat foolishly, I think, dally in the branding of their slaves. Indeed, some, perhaps the most foolish, do not brand them at all. Such girls, however, when they come into the keeping of new masters, usually discover that oversight is promptly remedied.'
Renegade of Gor, pg. 273, by John Norman
Chains
'I would be terrified to have such a man chained at my couch. It would be like having a lion there. Too, I thought, surely it would be more fitting for women, in their softness and beauty, with their dispositions to submit and love, irreservedly and wholly, as king nothing, giving all, holding nothing back from the dominant male, their master, to be chained to a slave ring. This, in its way, is a beautiful symbol of her nature and needs. On the other hand, symbolic considerations aside, it must be noted that the chain is quite real. She is truly chained there.'
Kajira of Gor, pg. 94, by John Norman
Tether Dance
"This is a tether," I said, "It is to be well incorporated in your dance. You are a tethered slave. Do not forget it. You may fight the tether, you may love it. It may confine our body, you may use it to caress your body, and invitation to your master, a surrogate symbol of his domination of you. You need not dance always on your feet, A woman can dance beautifully on her knees, moving as little as a hand, or on her back, or her belly or side. In all things do not forget that you are a slave."
Explorer of Gor, pg. 360, by John Norman